At the very same time, Nina is again attacked by a dragon. Confused by the strange events taking place, Nina agrees to help the young boy. Meanwhile, the ancient Emperor Fou Lu awakens from his slumber in his tomb. His plan is to return to the world of human, conquer it anew, and impose his iron rule on it. This fourth installment of the Breath of Fire series is a fairly traditional Japanese-style RPG, with turn-based combat, party management, linear story progression, and other characteristic elements of the genre. The Impact of Devotional Genre of Vaishnava Philosophy on North Indian Classical Music Thesis Submitted to The Maharaja Sayajirao University of Baroda For the Degree ofįaculty of Performing Arts M.S. University of Baroda, Baroda (Gujarat)ĬANDIDATE'S DECLARATION I HEREBY DECLARE THAT THE WORK INCORPORATED IN THE PRESENT THESIS IS ORIGINAL AND HAS NOT BEEN SUBMITTED TO ANY UNIVERSITY / INSTITUTION FOR THE AWARD OF A DIPLOMA OR DEGREE. I, FURTHER DECLARE THAT THE RESULT PRESENTED IN THE THESIS, CONSIDERATIONS MADE THEREIN, CONTRIBUTED IN GENERAL TO THE ADVANCEMENT OF PARTICULAR TO THE KNOWLEDGE IN NORTH INDIAN CLASSICAL MUSIC IN PARTICULAR TO "THE IMPACT OF DEVOTIONAL GENRE OF VAISHNAVA PHILOSOPHY ON NORTH INDIAN CLASSICAL MUSIC".ĬERTIFICATE BY THE GUIDE THIS IS TO CERTIFY THAT THE CONTENTS OF THIS THESIS ENTITLED "THE IMPACT OF DEVOTIONAL GENRE OF VAISHNAVA PHILOSOPHY ON NORTH INDIAN CLASSICAL MUSIC" IS THE ORIGINAL RESEARCH WORK OF ROHINI PARNAIK CARRIED OUT UNDER MY GUIDENCE & SUPERVISION. I, FURTHER CERTIFY THAT THE WORK HAS NOT BEEN SUBMITTED EITHER PARTLY OR FULLY TO ANY OTHER UNIVERSITY OR INSTITUTION FOR THE AWARD OF ANY DEGREE. PREFACE “The Impact of Development Genre of Vaishnava Phil osophy on North Indian Classical Music”, this topic and resea rch work on it is the outcome of the curiosity of my inner soul.
There was an ever increasing aspiration and thought mind to know and realize that music which would facilitate the soul’s journey towards spiritual world, which is that bhava (emotion) whose depth and intensity become the means of God realization. All of sudden a thought came to my mind like a ray of light.
From ages past many devotees have realized God with a benign heart immersed in the nectar of devotion by weaving their emotions in the notes of music. Even today the music of the soul is a medium to reach Paramatma (God). Then only it was decided that I should do this study. It sprinkled in my eyes by the grace of my spiritual master (Gurudeva) and other revered scholars like a willful desire.
The aim was to analyze the place of music in the devotion of Vaishnava Dharma which has many streams in the whole of Northern India.
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